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Poltrone e Divani

Armchairs & Sofas

Sogno

2014 | DIDA DIPARTIMENTO DI ARCHITETTURA, UNIVERSITà DEGLI STUDI DI FIRENZE

Sogno is a new collection of upholstered seats designed by DIDA Dipartimento di Architettura dell'Università di Firenze and produced by Matrix International. Sogno glances toward the future; it looks to the ways in which a society characterized by different lifestyles express itself in the interiors, and led to the design of a seating system with flexible composition.

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Arabesk

1955 | FOLKE JANSSON

The elegant chair Arabesk designed by Folke Jansson and produced by Matrix International looks almost like a sculpture. It develops in a shaped way on three feet to then meet again in a wrapping embrace. The textile covering makes it comfortable, to fit in any domestic or waiting premises. The chair was chosen as the iconic products for the 30th anniversary of the company, with a limited edition signed by the author.

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SA21

1950 CA. | EERO SAARINEN

In 2002 Kevin Roche donated the Eero Saarinen and Associates office archives to the Yale University Library. By inspecting the original drawings, letters and other rare materials Matrix International has discovered some new projects of Furniture Design and has deepened the study to boost their development. The result is a modular seating system designed for the lobby of the General Motors Technical Center in Detroit.

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SA22

1950 CA. | EERO SAARINEN

In 2002 Kevin Roche donated the Eero Saarinen and Associates office archives to the Yale University Library. By inspecting the original drawings, letters and other rare materials Matrix International has discovered some new projects of Furniture Design and has deepened the study to boost their development. The result is a modular seating system designed for the lobby of the General Motors Technical Center in Detroit.

Product details

SA23

1950 CA. | EERO SAARINEN

In 2002 Kevin Roche donated the Eero Saarinen and Associates office archives to the Yale University Library. By inspecting the original drawings, letters and other rare materials Matrix International has discovered some new projects of Furniture Design and has deepened the study to boost their development. The result is a modular seating system designed for the lobby of the General Motors Technical Center in Detroit.

Product details

SA31

1959 | EERO SAARINEN

The SA31 armchair designed by Eero Saarinen for the Chicago University and produced by Matrix International is characterized by a rhythmic back that make it suitable for both the domestic and large waiting premises. Even this unpublished author's project was developed thanks to the original drawings, letters and other rare materials donated by the Eero Saarinen and Associates office archives to the Yale University Library.

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SA32

1959 | EERO SAARINEN

The SA32 sofa designed by Eero Saarinen for the Chicago University and produced by Matrix International is characterized by a rhythmic back that make it suitable for both the domestic and large waiting premises. Even this unpublished author's project was developed thanks to the original drawings, letters and other rare materials donated by the Eero Saarinen and Associates office archives to the Yale University Library.

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SA34

1959 | EERO SAARINEN

The SA34 sofa designed by Eero Saarinen for the Chicago University and produced by Matrix International is characterized by a rhythmic back that make it suitable for both the domestic and large waiting premises. Even this unpublished author's project was developed thanks to the original drawings, letters and other rare materials donated by the Eero Saarinen and Associates office archives to the Yale University Library.

Product details

Change

2010 | MASSIMO IMPARATO

Change is the modular sofa produced by Matrix International which offers the chance to compose the desired number of seats. It takes different shapes according to necessity: by a simple movement, it can be turned into a curved or a straight sofa to satisfy different needs of conversation. Change is a “democratic" project leaving the opportunity to everyone to choose the degree of sharing space.

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SA46

1958 | EERO SAARINEN

With the poufs SA46 designed for the Vassar College’s entrance-hall, Eero Saarinen shows how the plain lines of a piece of furniture contribute to a successful interior. These complements suggest versatile features for conversation and waiting needs. Even this unpublished author's project was developed thanks to the original drawings, letters and other rare materials donated by the Eero Saarinen and Associates office archives to the Yale University Library

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SA36

1958 | EERO SAARINEN

With the poufs SA36 designed for the Vassar College’s entrance-hall, Eero Saarinen shows how the plain lines of a piece of furniture contribute to a successful interior. These complements suggest versatile features for conversation and waiting needs. Even this unpublished author's project was developed thanks to the original drawings, letters and other rare materials donated by the Eero Saarinen and Associates office archives to the Yale University Library..

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CH62

1923-27 | PIERRE CHAREAU

A modern version of the 19th century "canapé à confident", it invites the two sitting persons to talk looking at each other. With its structure covered in velvet, and stuffing in leather or tapestries, it became one of the most characterizing furniture of the “Maison de Verre” interiors. The armchair was used for the small blue room.

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CH71

1923-27 | PIERRE CHAREAU

A modern version of the 19th century "canapé à confident", it invites the two sitting persons to talk looking at each other. With its structure covered in velvet, and stuffing in leather or tapestries, it became one of the most characterizing furniture of the “Maison de Verre” interiors. The armchair was used for the small blue room.

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AN81

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

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AN82

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

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AN83

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

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FR01

1935 | JEAN MICHEL FRANK

This armchair is the derivation of a model designed by Frank for Madame Cerf’s apartment. Although armchairs with arched back were widespread in the 1930s, Frank’s version stands out for the arch laid in the centre of the armrest and not embracing the whole rear of the chair, and for the shape of the armrests, neither inclined nor tapered. The sofa is a two-seat derivation of the armchair.

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FR02

1932 | JEAN MICHEL FRANK

This armchair is the derivation of a model designed by Frank for Madame Cerf’s apartment. Although armchairs with arched back were widespread in the 1930s, Frank’s version stands out for the arch laid in the centre of the armrest and not embracing the whole rear of the chair, and for the shape of the armrests, neither inclined nor tapered. The sofa is a two-seat derivation of the armchair.

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FR52

1932 | JEAN MICHEL FRANK

This couch is portrayed in the living-room of Georges Born’s apartment in Buenos Aires, one of Frank’s most important interior decoration designs.

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FR91

1930 CA. | JEAN MICHEL FRANK

This couch is a re-interpretation of the model that Frank used in the interior decoration of Jean Pierre Guerlain’s home. Although a stylization of that model, Frank’s characterization is strong and recognizable also in the geometry of the pyramidal feet. Two and three seaters sofas are the derivation of the armchair.

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FR93

1930 CA. | JEAN MICHEL FRANK

This couch is a re-interpretation of the model that Frank used in the interior decoration of Jean Pierre Guerlain’s home. Although a stylization of that model, Frank’s characterization is strong and recognizable also in the geometry of the pyramidal feet. Two and three seaters sofas are the derivation of the armchair.

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LE81

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

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LE82

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

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LE83

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

Product details