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Codici

AN81

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

Detalles

AN82

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

Detalles

AN83

1920 CA. | ANONIMO

This armchair, and the related two and three seater couches, known as "Tuxedo", owe their name to Tuxedo Park, an elegant and exclusive holiday resort near Tuxedo Lake, New York, which represented a reference point for the elegance of that time.

Detalles

Arabesk

1955 | FOLKE JANSSON

Butaca con estructura de metal recubierta con espuma expandida. Tapicería no desenfundable en tejido disponible en mono-bi color.

Detalles

BR19

1928 | MARCEL BREUER

Mesa con sobre chapado en arce barnizado natural. Patas en tubo de acero cromado. Disponible también con sobre adicional en vidrio teñido.

Detalles

BR49

1928 | MARCEL BREUER

Carro con estructura en tubo de acero cromado. Marco, ruedas y tornillos en latón cromado. Sobre disponibile en laminado blanco o negro; DM lacado blanco o negro brillo o gofrado; contrachapado fresno o cerezo.

Detalles

BR56

1930 CA. | MARCEL BREUER

Banqueta con estructura en tubo de acero cromado. Asiento en espuma expandida. Tapicería no desenfundable en piel.

Detalles

CH62

1923-27 | PIERRE CHAREAU

A modern version of the 19th century "canapé à confident", it invites the two sitting persons to talk looking at each other. With its structure covered in velvet, and stuffing in leather or tapestries, it became one of the most characterizing furniture of the “Maison de Verre” interiors. The armchair was used for the small blue room.

Detalles

CH69

1932 | PIERRE CHAREAU

This small table was used in the waiting-room of Dr. Dulsace’s consulting room in his home-cum-surgery known as “Maison de Verre”.

Detalles

CH71

1923-27 | PIERRE CHAREAU

A modern version of the 19th century "canapé à confident", it invites the two sitting persons to talk looking at each other. With its structure covered in velvet, and stuffing in leather or tapestries, it became one of the most characterizing furniture of the “Maison de Verre” interiors. The armchair was used for the small blue room.

Detalles

CH79

1932 | PIERRE CHAREAU

This small table was used in the waiting-room of Dr. Dulsace’s consulting room in his home-cum-surgery known as “Maison de Verre”.

Detalles

FP19

1930 CA. | PAUL THEODORE FRANKL

Consola con estructura cromada en tubo de acero de sección cuadrada. Sobre en DM lacado blanco o negro brillo o gofrado.

Detalles

FPO9 / 1-2

1930 CA. | PAUL THEODORE FRANKL

Mesa con estructura cromada en tubo de acero de sección cuadrada. Sobre disponible en DM lacado blanco o negro brillo o gofrado; cerezo, nogal o palisandro contrachapado.

Detalles

FR01

1935 | JEAN MICHEL FRANK

This armchair is the derivation of a model designed by Frank for Madame Cerf’s apartment. Although armchairs with arched back were widespread in the 1930s, Frank’s version stands out for the arch laid in the centre of the armrest and not embracing the whole rear of the chair, and for the shape of the armrests, neither inclined nor tapered. The sofa is a two-seat derivation of the armchair.

Detalles

FR02

1932 | JEAN MICHEL FRANK

This armchair is the derivation of a model designed by Frank for Madame Cerf’s apartment. Although armchairs with arched back were widespread in the 1930s, Frank’s version stands out for the arch laid in the centre of the armrest and not embracing the whole rear of the chair, and for the shape of the armrests, neither inclined nor tapered. The sofa is a two-seat derivation of the armchair.

Detalles

FR52

1932 | JEAN MICHEL FRANK

This couch is portrayed in the living-room of Georges Born’s apartment in Buenos Aires, one of Frank’s most important interior decoration designs.

Detalles

FR91

1930 CA. | JEAN MICHEL FRANK

This couch is a re-interpretation of the model that Frank used in the interior decoration of Jean Pierre Guerlain’s home. Although a stylization of that model, Frank’s characterization is strong and recognizable also in the geometry of the pyramidal feet. Two and three seaters sofas are the derivation of the armchair.

Detalles

FR93

1930 CA. | JEAN MICHEL FRANK

This couch is a re-interpretation of the model that Frank used in the interior decoration of Jean Pierre Guerlain’s home. Although a stylization of that model, Frank’s characterization is strong and recognizable also in the geometry of the pyramidal feet. Two and three seaters sofas are the derivation of the armchair.

Detalles

HW30

1930 C.A. | WOLFGANG HOFFMANN

Consola con espejo. Estructura en tubo de acero cromado. Sobre en DM lacado blanco o negro brillo o gofrado.

Detalles

KD04

1948 | DONALD R. KNORR

Silla con estructura en hojalata curvada y patas en barra de acero. Lacada en varios colores. Disponible con cojín desmontable de fieltro de lana.

Detalles

KI09

1935 | FREDERICK KIESLER

Mesillas en dos partes con sobre y patas en fundición de aluminio anodizado.

Detalles

LE81

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

Detalles

LE82

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

Detalles

LE83

1929-30 | JULES LELEU

Although considered by some critics as second to the famous Ruhlmann, Leleu developed an elegant style that distinguished him among his contemporaries. The armchair was one of the most original works by Jules Leleu, who used it on the set of "Le parfum de la dame en noir" in 1931 and in the "Trouville" apartment on the liner “Normandie" in 1935. The sofas are the two and three seater derivation of the armchair.

Detalles

LR30

1927 | LILLY REICH

Espejo con estructura en tubo de acero cromado.

Detalles

MI76 / 1-2

1959 | LUDWIG MIES VAN DER ROHE

Banqueta con estructura en barra de acero plano cromado. Asiento en espuma expandida. Tapicería no desenfundable en piel.

Detalles

MZ59

1928 | TAKEHIKO MIZUTANI

Mesa con patas en tubo de acero cromado. Juntas en aluminio lacado negro. Sobre de vidrio grosor 12 mm.

Detalles

SA21

1950 CA. | EERO SAARINEN

Butaca y sofás de dos, tres puestos con estructura en barra de acero cromaad de sección cuadrada. Marco de madera recubierto con espuma expandida. Cojines de espuma de densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA22

1950 CA. | EERO SAARINEN

Butaca y sofás de dos, tres puestos con estructura en barra de acero cromaad de sección cuadrada. Marco de madera recubierto con espuma expandida. Cojines de espuma de densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA23

1950 CA. | EERO SAARINEN

Butaca y sofás de dos, tres puestos con estructura en barra de acero cromaad de sección cuadrada. Marco de madera recubierto con espuma expandida. Cojines de espuma de densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA29 / 1-2

1950 C.A. | EERO SAARINEN

Mesa con estructura cromada en tubo de acero de sección cuadrada. Sobre disponible en DM lacado blanco o negro brillo o gofrado; Marmol Carrara o Marquinia.

Detalles

SA31

1959 | EERO SAARINEN

Butaca y sofá de dos, tres, cuatro puestos con estructura de madera recubierta con espuma expandida. Cojínes en espuma con densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA32

1959 | EERO SAARINEN

Butaca y sofá de dos, tres, cuatro puestos con estructura de madera recubierta con espuma expandida. Cojínes en espuma con densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA34

1959 | EERO SAARINEN

Butaca y sofá de dos, tres, cuatro puestos con estructura de madera recubierta con espuma expandida. Cojínes en espuma con densidad diferenciada. Tapicería no desenfundable en piel o tejido.

Detalles

SA36

1958 | EERO SAARINEN

Pouf de espuma expandida con base de madera. Tapicería no desenfundable en piel o tejido.

Detalles

SA46

1958 | EERO SAARINEN

Pouf de espuma expandida con base de madera. Tapicería no desenfundable en piel o tejido.

Detalles

SA59/1

1958 | EERO SAARINEN

Mesa con pata en aluminio lacado blanco o negro. Sobre en vidrio de 19 mm de grosor, pieza central en acero lacado blanco o negro.

Detalles

SA59/6

1958 | EERO SAARINEN

Mesa con pata en aluminio lacado blanco o negro. Sobre en vidrio de 19 mm de grosor, pieza central en acero lacado blanco o negro.

Detalles

SA90

1960 | EERO SAARINEN

Cenicero con pata en fusión de aluminio lacado blanco o negro. Bandeja en acero inoxidable satinado.

Detalles